IAAH/Artefact Annual Study Day 2014

The 2014 IAAH/Artefact Study Day was held on Saturday, 12 April at the National Gallery of Ireland. 

Study Day Participants:

  • Dr Sinéad Furlong-Clancy –Fashion and the Painting of Parisian Modernity: New Academic and Curatorial Perspectives
  • Anusia Grennell –The Designer-Agent: Jan van Toorn at Van Abbemuseum, 1964-1973
  • Robin Fuller – Lissitzky’s Ambiguous Spaces
  • Małgorzata DynakSaint Demetrius’ Equestrian Iconography and the Icons from the Natasha Allen Collection (NGI)
  • Padraig Edwards – Italian Form, Irish Function: An Analysis of the Fresco Cycle Decorating the Interior of the  Aula Teologica in the Franciscan Convent of San Isidoro, Rome
  • Emer Lynch – The Production of Irish Penal Crucifixes: Commodity or Concealment?
  • Dr Louise Kelly – Pieter Codde and his manipulation of the 17thCentury Amsterdam Art Market
  • Aleksandra Jaśniewicz – Beyond the Courtier`s Mask:  Portraits in Gdańsk in the 2nd half of the 17th Century
  • Michael O’Sullivan – A Formal Seventeenth-Century Elite Garden at Doneraile, Co. Cork
  • Bengü Aydin – Turkish Artists in the Quest of “New Art”:  The Repercussions of Modernism in the Nation-Building Process of the 1930s with a Comparative Perspective to European and non-European Modernists
  • Seana Farrington – Turning Information into Data: Taking the Bantry Papers Archive Online
  • Alexandra Murphy  – Artist/Administrator/Entrepreneur: Individual Roles and Organisational Forms in Irish Artist-Run Galleries
  • Kathryn O’Regan – The Highly Significant Fragment’: Allegory, Enigma and Politics in Rosemarie Trockel’s Collages since 2004
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