Back Issues

Artefact is published annually by the Irish Association of Art Historians, and copies of some back issues are available for 10 euro plus p&p. Please contact iaahinfo@gmail.com for details on ordering issues.

Contributions to Issue 10 edition include:

Jessica O’Donnell. ‘Dublin should certainly see Bacon’s work’: The 1965 Francis Bacon exhibition at the Municipal Gallery of Modern Art

Larissa Vilhena. The Symbolic Setting and the Masculine/Feminine Dualism in Tennyson’s ‘Mariana’ (1830) and Millais’ Mariana (1851)

Meabh Delaney. Constance Markievicz’s Holloway Prison Watercolours and the Influence of the Celtic Revival

Eva Sztabholz Maria Spilsbury Taylor (1776-1820): An Evolving Woman Artist

Shannon Carroll. Art in the Anthropocene: Artistic Responses to the Environmental Crisis

Reviews by Kathryn Milligan, Paul Donnelly, and Billy Shortall.

Contributions to Issue 9 edition include:

Corrinna Ricasoli. Some New Evidence on the Tomb of the Cavalier d’ Arpino in San Giovanni in Laterano, Rome Corrinna Ricasoli

Aoife Frances Brady. A Copper Copy after Guido Reni

Tara Kelly. Purchasing the Past: Consumers of Irish Facsimile Jewellery 1840–1940

Kayla Rose. Reviving Illumination, Revealing Identity: The Illuminated Presentation Address in Ireland’s Celtic Revival

Billy Shortall. Hilary Heron: A Pioneering Modernist

Contributors to Issue 8 include:

to be added

Contributors to Issue 7 include:

Julie Daunt – The abject, affect and repulsion in the works of Cecily Brennan

Nina Holmes – Prescribing ideologies: symptoms of modernism and modernity in Irish government health pamphlets (1950–64)

Emma McVeigh – ‘Alert to Continental influence’: sculpture and modernism in the Ulster Unit

Leslie O’Connor Turner – Illuminating façades in Bordon’s Evangeliary for Santa Giustina

Kathryn O’Regan – ‘The combing, the plaiting, the love of grooming’: hair and the politics of beauty in the work of Alice Maher

Ruth Sheehy – The liturgical art of Richard Enda King (1943–95) in Ireland

Contributors to Issue 6  include:

Holly Brennan – Design and Dissidence: The Legacy of the Atelier Populaire and the Visual Lexicon of Revolution

Sarah Maguire – Syphilis, spots, succour, and spirit: how the bunter in Hogarth’s A Harlot’s Progress serves her purpose

Kirstie North – The Man Who Looked Back; Jeremy Millar & Aby Warburg

Louis Weyhe Funder – Danish Modern Furniture and Finn Juhl

Contributors to Issue 5 include:

Katy Milligan – Dear Dirty Dublin: Representations of the city in the art of Harry Kernoff RHA (1900 – 1974)

Ann Murray – Reformed Masculinity: Trauma, Soldierhood and Society in Otto Dix’s War Cripples and Prague Street

Karen Ralph – All Aboard: Iconographical Interpretation Problems in the Book of Ballymote Miniature

Ramesh Kieron Ramsahoye – Cistercian Spirituality, Sacred Drama and Florentine Civic Identification in Botticelli’s Cestello Annunciation

Corinna Ricasoli – ‘It may well be that he dabbles in daubing’ – Notes on a drawing attributed to Caravaggio and the career of Tommaso Salini

Contributors to Issue 4 include:

Professor James Elkins – Towards an international Visual Studies Reader [Keynote essay]

John-Patrick Hartnett – Derrida by default: Wolfgang Weingart and the accidental deconstruction of Swiss typography

Jill Murphy – To present the present past: mimesis and identify in Derek Jarman’s Caravaggio

Rachel Warriner – ‘Picture-making on themes of failure and longing’: the picturing of human relations and function of language in the work of Raymond Pettibon

Contributors to Issue 3 include:

Kate Antosik Parsons – Bodily Remembrances: the performance of memory in recent works by Amanda Coogan

Anna Kadzik – Uniforms on earthly delight: Egyptian archaeological garments in the collection of the National Museum of Ireland

Paula Lynch – Stabilitas Loci: the experience of place in Jackie Nickerson’s Faith

Niamh NicGhabhann – Reconstructions of the Gothic Past; cultures on conservation

Audrey Nicholls – The Luxury of Adultery: the iconography of Christ and the Adulteress in sixteenth-century Venice

Contributors to Issue 2 include:

Lucy Dawe-Lane – Staring into space: the performance of process in two portraits by Goya

Simon Knowles – Two-way traffic: James McNeill Whistler and the Sister Arts tradition

Fiona Loughnane – Materialism and idealism: the influence of Salvador Dalí on Colin Middleton

Reidin McSweeney – RE: Performance – the role of the audience in the documentation of Marina Abramovic’s performances

Una Walker – Ballrooms to barber shops: visual art venues in operation in Northern Ireland in the latter half of the twentieth-century

Fiona Woods – Ilya Kabakov and the shadows of modernism

Contributors to the inaugural edition of the journal include:

Dr Eileen Kane – John Henry Newman’s Catholic University Church revisited

JP McMahon – Structures of Signification: Vito Acconci & 1970s artistic production

Ruth Starr – Eileen Gray, a child of Japonisme?

Elmarie Nagle – Patron(s), Saints and the Politics of Display

Aidan O’Boyle – The Earls of Moira as Collectors

Ann Wilson – Seamus Murphy: a sculptor’s dilemma in mid-20th c. Cork