Artefact

Study Day

The Irish Association of Art Historians sponsors an annual study day which highlights new and in-progress research from across the island.   The 2010 IAAH/Artefact Study Day will take place on Saturday, April 10th at the National Museum of Ireland, Collins Barracks.

The deadline for receipt of abstracts (500 words) has passed.  Details regarding the schedule of papers & booking forms for attending the Study Day will be available shortly.

____________________________________________________________

2009 Study Day Participants:

Orla Fitzpatrick Victorian gallery: Louisa Tenison’s photographic and mixed media album, 1864-1874

Mary Healy Women Orientalist Artist-Explorers of 19th Century France: uncovering the life narrative, artistic career and oeuvre of Marie Elisabeth Aimée Lucas Robiquet (1858-1959)

Niamh NicGhabhann Reconstructions of the Gothic Past – Cultures of Conservation

Muireann Charleton Cosmopolitanism and Nationalism: a cocktail for consumer craving in a rural Irish department store, 1878-1930

Anna Kadzik-Bartoszewska Uniforms of the earthly calling: studies of the Egyptian archaeological garments from the collection of the National Museum of Ireland

Hannah Olivia Malone Private and public memory: the Staglieno Cemetery at Genoa

Valerie Moffat Material Culture and Motherhood in late Eighteenth-Century Dublin: the case of Mrs. Meliora Adlercron

Louise Kelly The Representation of Barrack Room Scenes (Kortegaardjes) by Pieter Codde in 17th Century Dutch Art

Hilary Sexton Music or Sound as an Integral Element of Irish Contemporary Art Practice: A Focus on Vivienne Roche; Her Formal and Conceptual Use of Musical Instruments

Kathleen Hamel Claudel translates Ovid

Michael Waldron Much (and perhaps the best) of my writing is verbal painting: the Modernist Aesthetic of Elizabeth Bowen

2008 Study Day Participants:

Jane Humphries From subversion to celebration: the emergence of a domestic avant-garde in contemporary Irish art

Reidin McSweeney RE: PERFORMANCE – the role of the audience in the documentation of Marina Abramovic’s performances

Simon Knowles Two-way traffic: the sister arts tradition and urban representations in nineteenth-century England

Lucy Dawe-Lane Staring into space: an examination of two of Goya’s portraits as reflections upon artistic identity and process

Fiona Loughnane Colin Middleton, Dalí and the originality of Irish art

Liam Lenihan James Barry and Henry Fuseli: a partial view of fragment and fantasy

Audrey Nicholls The representation of beauty and luxury in the Venetian narrative theme of Christ and the adulteress