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	<title>Artefact: Journal of the Irish Association of Art Historians</title>
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		<title>Artefact: Journal of the Irish Association of Art Historians</title>
		<link>http://artefactjournal.com</link>
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		<title>Winter lecture programme</title>
		<link>http://artefactjournal.com/2011/11/15/iaahlectures/</link>
		<comments>http://artefactjournal.com/2011/11/15/iaahlectures/#comments</comments>
		<pubDate>Tue, 15 Nov 2011 12:02:29 +0000</pubDate>
		<dc:creator>iaah</dc:creator>
				<category><![CDATA[Announcements]]></category>

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		<description><![CDATA[FORTHCOMING LECTURE PROGRAMME [Newsletter] Thur, 17 Nov. &#8211; &#8216;Tintoretto&#8217;s Susanna and the Elders: Just a bit of fun?&#8217; a lecture by Audrey Nicholls Thur, 15 Dec. &#8211; Members&#8217; Christmas Lecture &#38; Party &#8211; &#8216;Vermeer &#38; the lure of Dutch genre painting&#8217; a lecture by Adriaan Waiboer, Curator of Northern European Art, NGI    [Booking required] RECENT [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=artefactjournal.com&amp;blog=3088627&amp;post=14&amp;subd=artefactjournal&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><strong>FORTHCOMING LECTURE PROGRAMME [<a href="http://artefactjournal.files.wordpress.com/2010/10/newsletter2011oct_dec.pdf">Newsletter</a>]<br />
</strong></p>
<p><span style="color:#993300;"><strong>Thur, 17 Nov. &#8211; &#8216;Tintoretto&#8217;s Susanna and the Elders: Just a bit of fun?&#8217; a lecture by Audrey Nicholls</strong></span></p>
<p>Thur, 15 Dec. &#8211; <strong>Members&#8217; Christmas Lecture &amp; Party</strong> &#8211; &#8216;<strong>Vermeer &amp; the lure of Dutch genre painting&#8217; a lecture by Adriaan Waiboer, Curator of Northern European Art, NGI    [</strong><a href="http://artefactjournal.files.wordpress.com/2010/10/events2011-christmas-lecture-booking.pdf">Booking</a> required<strong>]<br />
</strong></p>
<p><strong><br />
</strong></p>
<p style="text-align:left;"><strong>RECENT EVENTS </strong></p>
<p style="text-align:left;"><strong>&#8216;<strong>Precious Things&#8217; a lecture by Rudolf Heltzel, Goldsmith</strong></strong></p>
<p style="text-align:left;"><strong><strong></strong>‘And now for something completely different…’</strong> a lecture by<strong> Professor Michael Ryan</strong>, former Director of the Chester Beatty Library</p>
<p style="text-align:left;"><a href="http://artefactjournal.files.wordpress.com/2011/05/liverpool31.jpg"><img class="aligncenter size-full wp-image-243" title="Liverpool3" src="http://artefactjournal.files.wordpress.com/2011/05/liverpool31.jpg?w=350&#038;h=133" alt="" width="350" height="133" /></a><strong>Liverpool Trip</strong>  &#8211; a visit that took in visits to the Walker Art Gallery, Tate Liverpool, Port Sunlight Village, the Lady Lever Art Gallery and Sudley House, as well as architectural highlights like St George&#8217;s Hall, the Three Graces on Liverpool&#8217;s historic waterfront, and Albert Dock.  In addition members braved the autumnal elements on a windswept Crosby Beach to see Anthony Gormley&#8217;s <em>Another Place</em>.</p>
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		<title>Artefact 2010 &#8211; Issue 4</title>
		<link>http://artefactjournal.com/2011/05/30/hello-world/</link>
		<comments>http://artefactjournal.com/2011/05/30/hello-world/#comments</comments>
		<pubDate>Mon, 30 May 2011 12:34:08 +0000</pubDate>
		<dc:creator>Emily MFG</dc:creator>
				<category><![CDATA[information]]></category>

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		<description><![CDATA[Contributors to the 2010 edition include Professor James Elkins, Towards an international Visual Studies Reader [Keynote essay] John-Patrick Hartnett, Derrida by default: Wolfgang Weingart and the accidental deconstruction of Swiss typography Jill Murphy, To present the present past: mimesis and identify in Derek Jarman&#8217;s Caravaggio Rachel Warriner, &#8216;Picture-making on themes of failure and longing&#8217;: the [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=artefactjournal.com&amp;blog=3088627&amp;post=1&amp;subd=artefactjournal&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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<p>Contributors to the 2010 edition include</p>
<ul>
<li><strong>Professor James Elkins</strong>, Towards an international Visual Studies Reader [Keynote essay]</li>
<li><strong>John-Patrick Hartnett,</strong> Derrida by default: Wolfgang Weingart and the accidental deconstruction of Swiss typography</li>
<li><strong>Jill Murphy,</strong> To present the present past: mimesis and identify in Derek Jarman&#8217;s <em>Caravaggio</em></li>
<li><strong>Rachel Warriner,</strong> &#8216;Picture-making on themes of failure and longing&#8217;: the picturing of human relations and function of language in the work of Raymond Pettibon</li>
</ul>
</div>
<p>&nbsp;</p>
<p>For details on how to obtain copies of previous editions of Artefact, please <a href="mailto:artefactjournal@gmail.com" target="_blank">email</a> the editorial committee.</p>
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			<media:title type="html">Emily MFG</media:title>
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		<title>Irish Association of Art Historians</title>
		<link>http://artefactjournal.com/2010/05/26/irish-association-of-art-historians/</link>
		<comments>http://artefactjournal.com/2010/05/26/irish-association-of-art-historians/#comments</comments>
		<pubDate>Wed, 26 May 2010 12:36:13 +0000</pubDate>
		<dc:creator>iaah</dc:creator>
				<category><![CDATA[information]]></category>

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		<description><![CDATA[Email: iaahinfo@gmail.com Since its foundation in 1972 the principal aim of the Association has been the advancement of the study of the history of art at every level in Ireland: in art galleries and museums, in universities, in art schools and departments, in the school system, and through independent scholarship and publication. Membership is open [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=artefactjournal.com&amp;blog=3088627&amp;post=35&amp;subd=artefactjournal&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Email: <a href="mailto:iaahinfo@gmail.com">iaahinfo@gmail.com</a></p>
<p>Since its foundation in 1972 the principal aim of the Association has been the advancement of the study of the history of art at every level in Ireland: in art galleries and museums, in universities, in art schools and departments, in the school system, and through independent scholarship and publication. <a href="http://artefactjournal.com/iaah-membership/">Membership</a> is open to professional art historians and also to all who share the aims of the IAAH, irrespective of professional or educational status.</p>
<p>The IAAH maintains a programme of lectures, events, seminars and tours to significant sites in Ireland and abroad. The range of lecture subjects has been broad and varied. Visits are also arranged to important collections and exhibitions at home and abroad.</p>
<p>An integral part of the Association&#8217;s programme is the annual <a href="http://artefactjournal.com/study-day/">IAAH Artefact Study Day</a> which takes place in late spring. This study day highlights new and in-progress research from across the island. Calls for papers are advertised in early spring.</p>
<p>In December 2007 the IAAH launched the inaugural issue of Artefact, a new peer reviewed journal published by the Irish Association of Art Historians in consultation with academics from universities across Ireland, north and south. Artefact aims to provide an outlet for publication of new and emerging scholarship in Ireland and submissions are welcomed on all periods and aspects of art history and visual culture. For more information please email Artefact [<a href="mailto:artefactjournal@gmail.com">artefactjournal@gmail.com</a>].</p>
<p>The IAAH is the representative association for art historians in Ireland and is responsible for the election of the Irish National Committee of the <a href="http://www.ciha-arthistory.org/">Comité International d&#8217;Histoire de l&#8217;Art (CIHA)</a>.</p>
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