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	<title>Artefact: Journal of the Irish Association of Art Historians &#187; Announcements</title>
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		<title>Artefact: Journal of the Irish Association of Art Historians &#187; Announcements</title>
		<link>http://artefactjournal.com</link>
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		<title>Issues 1 &amp; 2</title>
		<link>http://artefactjournal.com/2009/04/07/hello-world/</link>
		<comments>http://artefactjournal.com/2009/04/07/hello-world/#comments</comments>
		<pubDate>Tue, 07 Apr 2009 12:34:08 +0000</pubDate>
		<dc:creator>Emily MFG</dc:creator>
				<category><![CDATA[Announcements]]></category>

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		<description><![CDATA[The 2008 edition of Artefact is now available. Contributors include: Lucy Dawe-Lane: Staring into space: the performance of process in two portraits by Goya Simon Knowles: Two-way traffic: James McNeill Whistler and the Sister Arts tradition Fiona Loughnane: Materialism and idealism: the influence of Salvador Dalí on Colin Middleton Reidin McSweeney: RE: Performance – the [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=artefactjournal.com&blog=3088627&post=1&subd=artefactjournal&ref=&feed=1" />]]></description>
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<p>The 2008 edition of Artefact is now available. Contributors  include:</p>
<p><strong>Lucy Dawe-Lane:</strong> Staring into space: the performance of process in two portraits by Goya</p>
<p><strong>Simon Knowles:</strong> Two-way traffic: James McNeill Whistler and the Sister Arts tradition</p>
<p><strong>Fiona Loughnane:</strong> Materialism and idealism: the influence of Salvador Dalí on Colin  Middleton</p>
<p><strong>Reidin McSweeney</strong>:  RE: Performance – the role of the audience in the documentation of  Marina Abramovic’s performances</p>
<p><strong>Una Walker:</strong> Ballrooms to barber shops: visual art venues in operation in Northern  Ireland in the latter half of the twentieth-century</p>
<p><strong>Fiona Woods:</strong> Ilya Kabakov and the shadows of modernism</p>
<p>For details on how to obtain copies of the Winter 2008 edition of  Artefact, please <a href="mailto:artefactjournal@gmail.com" target="_blank">email</a> the editorial committee.</p>
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<p>Contributors to the inaugural edition of the journal include:</p>
<p class="MsoNormal" style="margin-bottom:4pt;">
<p><span style="color:#333333;"><strong>JP McMahon</strong> &#8211; Structures of Signification: Vito Acconci &amp; 1970s artistic production<br />
<strong> </strong></span></p>
<p><span style="color:#333333;"><strong>Ruth Starr</strong> &#8211; Eileen Gray, a child of Japonisme?<br />
<strong> </strong></span></p>
<p><span style="color:#333333;"><strong>Elmarie Nagle </strong>- Patron(s), Saints and the Politics of Display<br />
<strong> </strong></span></p>
<p><span style="color:#333333;"><strong>Aidan O&#8217;Boyle</strong> &#8211; The Earls of Moira as Collectors<br />
<strong> </strong></span></p>
<p><span style="color:#333333;"><strong>Ann Wilson</strong> &#8211; Seamus Murphy: a sculptor&#8217;s dilemma in mid-20th c. Cork<br />
<strong> </strong></span></p>
<p><span style="color:#333333;"><strong>Eileen Kane </strong>- John Henry Newman&#8217;s Catholic University Church revisited</span></p>
<p class="MsoNormal" style="margin-bottom:4pt;">
<p>For details on how to obtain copies of the Autumn 2007 edition of Artefact, please <a href="mailto:artefactjournal@gmail.com" target="_blank">email</a> the editorial committee.</p>
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			<media:title type="html">Emily MFG</media:title>
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